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THE HIP HOP LOCKER ROOM WITH LAZARUS.

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Welcome to The Hip Hop Locker Room, our new monthly interview series at DetroitRap.com. Starting the year off right we’ve got our first special guest LAZARUS. It’s been quite the year for the Detroit bred lyricist, who’s been repping for the 313 all across the world alongside the legendary Wu-Tang Clan. Accolades include his viral hit “Decapitation Chamber” feat. Ghostface Killah which has garnered over five million downloads worldwide, as well as performing with Wu-Tang at at the legendary Sydney Opera House in Australia. The #LazArmy movement has seen a tremendous amount of growth & as it continues it’s momentum it felt like the perfect time to dig deeper with one of Detroit’s most gifted lyricists.

THE Q & A.

COMMi$$ION: You’ve garnered quite the accolades across your hip hop career ranging from a Discovery channel documentary to unleashing bars in front of an audience inside Russell Simmons own home. Now you’ve got a brand new music video alongside Ghostface Killah for “Decapitation Chamber”. Is there anything still left on your rap career bucket list?

LAZARUS: I just want to keep making good music. It’s been a long journey and I’ve met a lot of my idols along the way, but at the end of it all I want to lay down a legacy and have a catalog of quality work that I can be proud of.

COMMi$$ION:  Speaking of “Decapitation Chamber” in the beginning of the video Ghostface Killah is shown handing over the “keys”.  What did that moment signify to you & how was the experience of working alongside the legendary Wu-Tung Clan member like?

LAZARUS: Ghostface Killah is one of my favorite emcees of all time and he is without question the most aggressive presence on the mic in Hip Hop. To have him say that to me is worth more to me than getting 10 Grammy awards.

COMMi$$ION: You’re not only a rapper but a doctor as well. How have you been able to manage two careers successfully for so long & has there ever been moments you’ve considered abandoning one for the other?

LAZARUS: Doubt has lingered throughout both careers. Because this standard has never been set before, it’s been met with resistance from almost everyone. I had to challenge myself every single day to make this a reality.

COMMi$$ION: As a lyricist in a world of auto tune what drives you to stay true to substance over “dumbing” down and how do you see the industry taking shape in the coming years?

LAZARUS: The current rap scene is trash to me. The standards have lowered so much that subpar emcees are getting praised nowadays. I still sharpen my blades listening to rap music that came out in previous eras. I need substance in my rap.

COMMi$$ION: You’ve been a part of Detroit hip hop scene since the early 00’s championing rap battles over local airwaves all the way to current times collaborating alongside the likes of Royce Da 5’9, Obie Trice, & Swifty Mcvay among others.  Though you currently reside in Las Vegas, Nevada you have always stayed true to the 313.  How has Detroit influenced you personally & musically throughout your life?

LAZARUS: Growing up in Detroit and the Detroit Hip Hop scene has molded me to who I am as en emcee. Just as you learn your first language in your early childhood, Detroit was and forever is my stomping ground. Detroit is where I learned to rap, learned to battle and where I honed my skills as an emcee. Being mentored by Royce and D12 has enabled me to be the lyricist I am today.

COMMi$$ION: You’ve been hard at work crafting your next album “Music Is My Medicine”. Outside of a mixtape in 2010 your last album debuted in 2007 with “Chapter One: The Prince Who Would Be King”.  As time has passed & anticipation builds for your new project was there anything in particular you told yourself you wanted to accomplish going into this release?

LAZARUS: I want to release this album when the momentum is absolutely right for it. In the current climate of music, albums are released and then disposed of within 24 to 48 hours. Attention spans are so short nowadays and great music is overlooked because of it. The most effective approach I see now is to release one song at a time with a video and promote it heavy so that it gets the proper promotion and recognition.

COMMi$$ION: You’ve recently taken to the road touring across the United States, Canada, Australia and New Zealand alongside the legendary Wu-Tang Clan. What have been some of the challenges & triumphs during this new journey?

LAZARUS: It’s been a monumental dream-like experience to tour the world with my idols. For them to show me respect and give me guidance on this journey is an indescribable feeling.

COMMi$$ION: Not too long ago you shared a photo from the tour with you rocking a stage in front of 10,000 people. How would you describe what was your going through your head at the moment as you graced the stage?

LAZARUS: It was the biggest rush I’ve ever felt in my life. And the second I got the crowd rocking with me, I knew it was my time.

COMMi$$ION:  Thank you for taking the time out to answer some questions for the readers here at DetroitRap.com. In closing if you could leave fans with only line from any of your records to be etched in their memories which would it be?

LAZARUS: “I’m the sickest, wickedist boogie man like America made of Osama/ Wrap the heads of rap gods around my neck like Anacondas/ Come to take the throne despite your willingness, with honor/ Like Killmonger came to Wakanda to take it from T’Challa/“

So not only did Lazarus get to rock the United States, Canada, & Australia alongside Wu-Tang Clan. He was also a part of a extremely special New Zealand tour date the celebrated the 25th Anniversary of “Enter 36 Chambers“.  A new year is among us, & brand new developments are surely coming from the #LazArmy camp. Until next time, this has been The Hip Hop Locker Room powered by DetroitRap.com.

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TINY JAG DENIED PROMO FOR ANTI-PATRIARCY VIDEO

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TINY JAG DENIED PROMO FOR ANTI-PATRIARCY VIDEO
Detroit’s Tiny Jag is a rapper, singer/songwriter known for conveying relevant messages throughout her music. One of her most consistent; the empowerment of women. Recently, Tiny Jag released a vibrant visual to her single ‘Bizarre,’ challenging the traditional story of creation and Adam and Eve.
Tiny Jag on her intentions with the ‘Bizarre’ Music Video:
“We hear about Eve’s shortcomings at a very young age. Many of us are influenced by that to view women as inadequate before we can even understand what we’re digesting. I wanted to challenge that narrative and give its followers a bit of a hard time.”
Shortly after releasing the controversial video via YouTube, Tiny Jag and team began to push the visual for support and promotion. Among these attempts were numerous tries with Facebook (also owning/controlling Instagram). After every tweaked attempt fell short of approval, Tiny Jag realized the concept and message of her work may be what was truly denied.
Tiny Jag on being censored as a woman:
“So I knew we weren’t going to get support for the video if it had cursing or discriminatory lyrics, I avoided those things.  The track/visual do not discuss, promote, or demonstrate sexual acts, no nudity. I mean, it’s a bit out of the box but to censor me for anything short of those things seems discriminatory in itself. I can’t help but believe that it’s an attack against what it represents.”

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VStylez – “Jeet Kune Do” ft. Elzhi – Prod by: DJ Dez

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VStylez - "Jeet Kune Do" ft. Elzhi - Prod by: DJ Dez

Last years “Thornton Melon” is just days away from dropping on limited edition Vinyl sporting a revisited version of last year’s masterpiece. Just 100 copies of the Brown 12” vinyl’s with black heavy splatter will be available. Never to be repressed in this vinyl color. It’s all happening in just a couple days on June 24th 3 PM EST /9 PM CET  at Copenhagen Crates https://cphcrates.com/

If “Jeet Kune Do” is any inkling of what’s to come forth on this reimagined take repackaged in an exquisite format than hip hop fans are in for something outstanding. This particular lyrical exchange of two Detroit legends sparring words atop an in your face battle royale worthy production from Dj Dez. Vstylez projects the confidence he comments on this verse with flawless delivery and Elzhi slides in providing sword slicing word dicing fine example of Detroit hip-hop. It’s a different level with these two and not too many emcees got it like this. Get yourself that brand new vinyl this June 24th and don’t wait too long… I have a feeling 100 copies won’t last long for this one, I’ll know I’ll be ready to grab my copy that day.

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XrossRoads – “KROWN”

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XrossRoads - "KROWN"

As the upcoming digital ep from XrossRoadsRoad Less Traveled” approaches we’re given the first visuals from it with “KROWN“.  The collaborative works of Supa Emcee and Baby Paul waste no time in drawing you in with the creative visuals illustrating the ‘heir to the throne” slicing syllables across the beast of production that compliments Supa’s direct lyricism. From taking the throne, swords galore, and wearing the KROWN lyrically Supa Emcee also co-directed the video with Moe McCoy for FireProof/Provitan Films.

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