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“Sincerely Detroit” Listening Session with Apollo Brown

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In the internet age, terms to describe things become less powerful, lose the impact of its meaning. Lets take the word CLASSIC.

1. ADJECTIVE:    judged over a period of time to be of the highest quality and outstanding of its kind.
                                “a classic novel”
 Personally when it comes to music it is hard for me to see something as classic if its creators have no history of success.
INSERT:   APOLLO BROWN
Apollo Brown is one of the most iconic producers to hail from the mid west, and Michigan to be exact.
Dating back to 2007, Apollo Brown has made tracks with some of Hip Hop’s Elite. Boog Brown, Journalist 103
Guilty Simposn, Ghost Face Killah, Ras Kas, Rapper Big Pooh, Planter Asia, Joel Ortiz, Skyzoo and the list continues. Apollo Brown can be found touring over seas year around
INSERT:     Detroit’s finest Emcees
Let me go on the record by saying i have never heard a full project 20 songs deep with over 50 artist involved and i not say one time “They should have came better than that” Yes after 79 Minutes and 29 seconds (a cd can only hold 80 minutes of music) not one artist on here dropped the ball.  Apollo along with Executive producer Hex Murder collected what turned out to be Apollo’s favorite artist. He stated “There was no pitty everyone on this i wanted to include for a reason, there is all kind of different eras, groups, solo acts and djs”
APOLLO BROWN + DETROIT’S FINEST EMCEES = Sincerely Detroit (CLASSIC)
If you know APOLLO Brown you know his sound. Some of that good ole mid tempo boom bap hip hop. In the early days he was a hot producer on the Beat Battle scene with a reputation of Hard hitting drums and nasty samples that keep your head on swivel. As he mentioned at the session, “I got to feel the music now, im married with a kid” so you can still feel them drums hitting just right, but the samples have a little more soul to it. Every element of this project from the drums, to the samples used and the vocalist are definitely something that is FELT.
 During the listening session he often pointed out how proud we should be because here in Detroit, we truly have the best of everything. Producers, artist, vocalist, but something he said that he has been trying to keep in his creative process is the use of the DJ. “Its a lost art that we must keep in the process”  With the likes of DJ AMF, DJ LOS, DJ Dez, Nick Speed and others this project truly feels complete and the ingredients of what makes a classic.
  It was so much to take in, i mean track after track, bar after bar with nothing falling short. There was just to much to digest in one sitting. But standouts for me personally on this compilation were Trick Trick, Paradime, Mz Korona, Quest Mcody, Fatt Father, Clear Soul Forces, Moe Dirdee, Seven The General, Boog Brown, Ketch P, Guilty Simpson, Ro Spit Bronze Nazareth, Boldy James. SMH why did i even get started. This project is a must cop!

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Drey Skonie “Rolling Skone” (prod. by Nick Speed) VIDEO

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Detroit crooner (check the dictionary for the old school reference) Drey Skonie hits us off with the Nick Speed produced “ROLLING SKONE”. A reworking of of the old school classic  “Papa was a rolling stone” Drey Skonie new visual takes us from the block, to the underground club circuit with a touch of the skating culture making it very obvious this record is one to enjoy!

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Long Story Longer Record Release Party

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Oct 22nd is the official release for the “Long Story Longer” album featuring Swifty Mcvay, Yukmouth, Ras Kass and MRK SX. Lending some bars to the project include Obie Trice, Guilty Simpson, Lazurus, and Miz Korona who will also be performing at the release party taking place Oct 24, 2021.

Tickets available at LSLMUSIC.COM

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“Detroit Monster” by The Davis Way

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In a highly competitive market like Detroit, you know if you even dip your toe in the pool of music you better be ready to swim. Guided by a slightly different approach than normal, frequent listeners of The Davis Way will immediately grasp he has “the right gear ready” to navigate the water.
His latest offering, “Detroit Monster”, is a glimpse into the world he describes as “cinematic hip hop”. The instrumental project blends the natural elements of that genre, accompanied by operatic themes and haunting vocals. Basically, The Davis Way serves as the maestro on this well-crafted journey.
The album opens with “Foreseen”, representing not only changes in his own music but the lack of attention some of his peers gave to the actual BUSINESS of music. That same business could potentially see any of these tracks garner attention for sync licensing. The mood continues on “Veil Of Tears”, a track inspired directly by a conversation via DM he had with someone about record labels being monsters. In a plot twist, the DM he received could also be perceived as a “monster”.
With additional titles such as the “Bully With The Beats”, the album title track (Detroit Monster), and “Breaking Hearts & Faces”, you can pretty much tell The Davis Way isn’t concerned with the “so-called monster” because he feels “we have the knowledge” to prevail over negativity. “Global Dominance” would be the perfect background music for the rise and “Resurgence” of independent artists not only making great music but empowering themselves through education of the business.
“Detroit Monster” is more than a cinema. It’s a wake-up call for producers to expand the horizon and continue to build their craft.

FB- Facebook.com/TheDavisWay
IG- Instagram.com/The_Davis_Way
Twitter- https://twitter.com/TDavisWay

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