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Detroit Emcee Isaac Castor “Rabbit Hole” Album Prod By Foul Mouth & First Single

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The Rabbit Hole is the first full-length collaborative effort from Middle Finger music representatives emcee Isaac Castor and producer Foul Mouth. Recorded over the span of 2019, the project fuses hard hitting boom bap drums with an even distribution of psychedelic rock and Motown soul samples. This album is likely Isaac’s darkest work yet, with lyrics touching on drug addiction, mental illness, and failed relationships. Take a journey down the Rabbit Hole with Isaac and Foul when the album drops on 4/20/20. The First Single is “Rabbit Hole (99 Bottles) Avaiable Now!

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Drey Skonie “Rolling Skone” (prod. by Nick Speed) VIDEO

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Detroit crooner (check the dictionary for the old school reference) Drey Skonie hits us off with the Nick Speed produced “ROLLING SKONE”. A reworking of of the old school classic  “Papa was a rolling stone” Drey Skonie new visual takes us from the block, to the underground club circuit with a touch of the skating culture making it very obvious this record is one to enjoy!

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EVENTS

Long Story Longer Record Release Party

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Oct 22nd is the official release for the “Long Story Longer” album featuring Swifty Mcvay, Yukmouth, Ras Kass and MRK SX. Lending some bars to the project include Obie Trice, Guilty Simpson, Lazurus, and Miz Korona who will also be performing at the release party taking place Oct 24, 2021.

Tickets available at LSLMUSIC.COM

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“Detroit Monster” by The Davis Way

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In a highly competitive market like Detroit, you know if you even dip your toe in the pool of music you better be ready to swim. Guided by a slightly different approach than normal, frequent listeners of The Davis Way will immediately grasp he has “the right gear ready” to navigate the water.
His latest offering, “Detroit Monster”, is a glimpse into the world he describes as “cinematic hip hop”. The instrumental project blends the natural elements of that genre, accompanied by operatic themes and haunting vocals. Basically, The Davis Way serves as the maestro on this well-crafted journey.
The album opens with “Foreseen”, representing not only changes in his own music but the lack of attention some of his peers gave to the actual BUSINESS of music. That same business could potentially see any of these tracks garner attention for sync licensing. The mood continues on “Veil Of Tears”, a track inspired directly by a conversation via DM he had with someone about record labels being monsters. In a plot twist, the DM he received could also be perceived as a “monster”.
With additional titles such as the “Bully With The Beats”, the album title track (Detroit Monster), and “Breaking Hearts & Faces”, you can pretty much tell The Davis Way isn’t concerned with the “so-called monster” because he feels “we have the knowledge” to prevail over negativity. “Global Dominance” would be the perfect background music for the rise and “Resurgence” of independent artists not only making great music but empowering themselves through education of the business.
“Detroit Monster” is more than a cinema. It’s a wake-up call for producers to expand the horizon and continue to build their craft.

FB- Facebook.com/TheDavisWay
IG- Instagram.com/The_Davis_Way
Twitter- https://twitter.com/TDavisWay

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