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BEAT TAPE

Brett Fullerton – “I-BEX” (Beat Tape)

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He’s been building a name for himself for years through the Detroit producer scene and now with his latest release has only solidified his staying power as a force to be reckoned with. I ran into Brett Fullerton at this year’s March Madness producer beat battle & he slipped me a flash drive jam-packed with ear candy. The main chunk on that flash drive just happened to be “I-BEX” his latest beat tape featuring twelve head nodding delectables perfect for an instrumental listening session or some off the dome freestyle fun with a pack of emcees. Each record brings a different flavor of the producer’s capabilities with shining moments for me being “Ruins“, the title track “I-BEX“. & “Venture“. The latter I played a good twenty times in the last few weeks securing its spot towards the forefront of my go-to playlist. “Oh no, Oh No….” so the beat goes but oh yes do we have a terrific example of production for all my instrumental lover’s out there.

BEAT TAPE

“Refreshingly Crisp Sonic” New Beat Tape from Sapiano Sounds

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C O N S I S T I N G  O F  1 0  D I V E R S E  T R A C K S , S A P I A N O
H A S  C R E A T E D  A L L  T H E  E L E M E N T S  T O  B E C O M E  A
T I M E L E S S  P I E C E  O F  A R T  T H A T  C H A N G E S  T H E
L A N D S C A P E  A N D  F E E L  O F  F U T U R E  H I P H O P  A N D
R & B .  S A P I A N O  S A Y S  H E  I S  H U M B L E D  T O  H E A R  T H E
P O S I T I V E  R E A C T I O N S  T O  T H I S  P R O J E C T  A N D  I S
F O C U S E D  O N  L E A V I N G  A  L A S T I N G  I M P A C T  O N

F U T U R E M U S I C

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ALBUM

Dubterraneous One Be Lo-Fi and instrumentals

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One Be Lo “After digging through my ‘90’s tape collection, I found old loops, samples & unreleased beats that I haven’t heard since cd’s became the popular format. The first batch of records (Inherited from my Stepfather…Ok maybe I borrowed them…Maybe I just took the records and never gave them back, but he didn’t have a record player any more so they begged me to spin time with them.) I ever chopped, are on these tapes. In the beginning when I first started making beats, I didn’t own any equipment besides a tape deck. I recorded samples from vinyl onto cassette so I could dissect them in my Walkman or in the car on the way to the studio with Decompoze. We booked sessions with D.L. Jones, and chopped the records in his basement. He had the ultimate set up which included the Akai S950 rack model and the infamous SP1200. We brought the records over, told D. L. where to chop, add drums, sequence, then put on tape so we could go home and write rhymes. Usually the sessions were 4-5 hours and we always left with 2 beats each. That period lasted around 2 years, then we eventually started making beats on the MPC 2000 XL.”

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BEAT TAPE

“Instrumentals to Commit Crimes To” By Sin Crawford (Short Film) Beat Tape

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"Instrumentals to Commit Crimes To"

Instrumentals to Commit Crimes To is the first installment of producer Sin Crawford’s new instrumental series. His production style is reminiscent of the old with gritty sonics over dusty drums that create an immense listening experience. Sin uses dialog as a fixture to glue the project together and tell his story without using words. The introduction into the underworld titled “The First Day I Met You” sets the stage of the album over a somber yet aggressive soundscape that lets you know his foundation and entrance into the game was met with resistance that Sin embraced with open arms. Pay dudes featuring international saxophonist Randy Resnick is a standout track from the album. The stage is set to let you know that paying dues comes in many different ways. Randy Resnick’s impeccable skill on the saxophone is evident as his Melodie’s drive the song to a hypnotic point. Sin Crawford delivers a stellar listening experience that will have the listener engulfed from start to finish. 

https://orcd.co/sincrawford

 

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