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ALBUM

Bang Belushi “Rudy” Album

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Detroit Veteran Bang Belushi is back with Rudy, his 2nd installment on the Middle Finger Music imprint. We once again see Bang teaming up with MFM’s man behind the music, super producer Foul mouth. The album begins with Bang reminding himself of his legend status and deciding that it’s time to show people what transformed Rudy into Bang Belushi. The title track starts off with a quick verse previewing the menu of what to be expected from this 16-course meal. Rudy is littered with Bang detailing his extracurricular activities growing up on the brazen streets of Detroit ranging from high grade cannabis, promiscuous women, running from police, and of course excessive amounts of Popov. Bang teams up
with fellow MFM comrades as well as other notable emcees each equally pushing their own unique vision providing natural progression between tracks. Rudy highlights Bang and Foul mouth’s undeniable chemistry. The texture and soundscape of the record almost makes it sound as if Bang and Foul mouth
are speaking back and forth at times. Effortless. On “Feeling like Biggie”, Bang skates over a smooth piano sample sketching up stories about lessons learned in his earlier days in Detroit leading up to the transformation of Bang Belushi…“When I was comin’ up Big was my idol / Ready to Die everyday struggle my bible.” On the album’s outro, we hear a side of Bang we are not as accustomed to. He
speaks from the heart about his children and lost loved ones. “For my youngest little Ryan, Daddy love you / you my twin I feel the love when I hug you…….Through my kids I finally see a better me / left the
hoes alone…” Allow yourself to view Bang Belushi’s life through his musical point of view. Rudy is artistic. Rudy is colorful. Rudy is raw. Rudy is Bang Belushi, and Bang Belushi is a legend.

 

Click Here to Stream & Purchase “Rudy” Album

ALBUM

Da Ruckus New Album “Da Unreleased Episode”

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Emcee producer HUSH and UNCLE ILL has blessed us all with a blast from the past. Da Unreleased Episode is the last album Da Ruckus was working on before they started working on solo projects. This was the follow up work to Episode 1. They pressed 50 CDs and 50 Cassettes for fans and that was the only light of day the project seen. D.U.E. never got an official release and twenty plus years later hear we are. This album has gems!
The first track “Life Is A Gamble serves as a reminder and pays homage to the prior release Episode 1. Track two called “Eye Confess” features pre record deal D12 member Eiy-Kyu. These three emcees confess some issues from within to a beat that’s perfect for doing so. What ever happened to Eiy-Kyu?
Da Ruckus features their short lived Generation Techs crew on songs “We Are” and “Check It” featuring Da Brigade who are D12 members Kon Artis and Kuniva. GT lasted about as long as both songs combined but left us some solid recordings.
Over all this is a well rounded album.
The production and rhymes are more of what you loved about Episode 1. Out of five mics this a strong four. This album is a must hear for hip hop heads and available on every music streaming platform.
More info can be found at DaRuckus.com

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ALBUM

How to Dress Well in the Dark // mBtheLight New Music

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Photo by James Adams
Mahogani Music is excited to announce the release of How to Dress Well in the Dark (H2DWITD), a new body of work by Detroit-based multidisciplinary artist Monica Blaire under the moniker mBtheLight (mB). With featured tracks by Nick Speed and Andrés, H2DWITD marks mB’s premier as a producer and displays a fusion of jazz, R&B and electronica, creating a sonic landscape all her own.
The product of a triumphant performance artist, composer and singer-songwriter, mB’s debut on Mahogani Music is a shift in artistic direction, a twelve-track collection of songs that epigraph transformation and creative self-awareness. Developed over the course of three years, H2DWITD details a process of liberation from a space of emotional affliction–marked by recurring obstacles and cyclical dissatisfaction–into a period of renewal and expanded understanding of self.

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ALBUM

Dubterraneous One Be Lo-Fi and instrumentals

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One Be Lo “After digging through my ‘90’s tape collection, I found old loops, samples & unreleased beats that I haven’t heard since cd’s became the popular format. The first batch of records (Inherited from my Stepfather…Ok maybe I borrowed them…Maybe I just took the records and never gave them back, but he didn’t have a record player any more so they begged me to spin time with them.) I ever chopped, are on these tapes. In the beginning when I first started making beats, I didn’t own any equipment besides a tape deck. I recorded samples from vinyl onto cassette so I could dissect them in my Walkman or in the car on the way to the studio with Decompoze. We booked sessions with D.L. Jones, and chopped the records in his basement. He had the ultimate set up which included the Akai S950 rack model and the infamous SP1200. We brought the records over, told D. L. where to chop, add drums, sequence, then put on tape so we could go home and write rhymes. Usually the sessions were 4-5 hours and we always left with 2 beats each. That period lasted around 2 years, then we eventually started making beats on the MPC 2000 XL.”

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