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D|REVIEWS: Damo The Great – Order Out Of Chaos

One more chance to be great…..& from the opening realm of “Order Out Of Chaos” the man who has been a mainstay in Detroit hip hop for a decade plus arrives in polished form ready to present that greatness. From the days of Abstrakt Intellekt to those of The Prime Eights the emcee slash producer Damo The Great steers away from group form providing a solo effort packed with immense production & developed lyrical trips.

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One more chance to be great…..& from the opening realm of “Order Out Of Chaos” the man who has been a mainstay in Detroit hip hop for a decade plus arrives in polished form ready to present that greatness. From the days of Abstrakt Intellekt to those of The Prime Eights the emcee slash producer Damo The Great steers away from group form providing a solo effort packed with immense production & developed lyrical trips.

The opening “Means, Motive, & Opportunity”  opens with the spoken words “I see humans everywhere but no humanity” going on to the touch on a possible explanation behind that before John Stone goes on about that “one more chance“. I reviewed his beat project “Now You Know” a while back and the live instrumentation vibes that one brought feel almost amplified here from the very beginning. One things apparent, he knows how to find beats that fit his particular sound very well.

With “Like I Do” at first the rhyme schemes felt simplistic to my ears but as the verse grew and the trumpets blew, the chorus swept in & had me replay this one a few times before the next number. The song builds lyrically & gets stronger as it goes on. The vintage samples mashed live sound feeling mixed with Damo’s unique voice puzzle pieces together & has a certain catchiness to it.  *

The first accomplice in rap on “Order Out Of Chaos” brings the first amongst multiple Detroit legends lending a hand on the album with Esham. “Icon” brings a more signature hard hitting hip hop sound with Esham opening, and Damo The Great ending as the two trade verses. A solid showing from both here, I enjoyed this track.

First Hits Free” was reminiscent of an Apathy sorta flow .Damo goes “perfect verses, leave the mic infected with turbulent ancient curses” and these were my favorite verses from him four tracks in. A lot of multi syllable spilling, & the production continues to shine. *

Rass Kass! Bekay! Marv Won! The heavy hitters are along on this one, & of coarse its fire. Real hip hop point black, wordplay galore & Bekay damn it’s been a minute since I heard him but he murders his verse on some old school Em style punchline shit. It’s like the four horsemen colliding verbally. “In My Sleep” is not the one to sleep on. *

The Intermission” moves forward with the sound bites with this monster tale. Give’s a storytelling angle and doesn’t feel unnecessary as some intermissions can. It’s a dope minute breather leading into the next chapter.

Halfway through what is showcasing that underground hip hop sound I grew up on. “Severed Limbs and Shark Teeth” brings lyrical lacerations in a triple threat laced via Damo The Great, Aztek The Barfly, & Cancer. My only complaint on this one was the hook/chorus – just seemed a little lackluster compared to the previous examples but each emcee carries their own verse wise with shouts to “Shadow Creek” embedded.

The old school vibes are strong with this one…Copywrite packs energy from the start with slicing syllables before some DJ cuts bridge into John Stone’s words. “Two of the midwest best oh god on Shadow Creek.” Repping the label as John Stone & Copy are “Apollo & Rocky” in this hip hop boxing match. *

Do You Believe In Monsters” had me thinking of that intermission a few records back…I’ve never personally heard of the two features here. Sankofa & Rocknezz Monsta that is. Nine tracks in I’ve been pretty much into everything I’ve heard but something about this one fell a little flat for me. It’s not bad but it’s my least favorite track so far.

Rebound city. The last track was my least favorite well “Everybody Dies” contends for one of my personal favorites of the thirteen track offering “Order Out Of Chaos“. This beat. THIS BEAT. Can I get on a remix on this one or something please haha…. Honestly though just played it back again. “Ah, I’m a beast of burden, you can die for certain, pull the curtains, now your face to face with Tyler Durden.” opens atop that piano & bassline that got my mind blasting creative thoughts. It’s a dark chorus but fitting. Standout track.*

Three to go and “Legion Of Doom” opens up with another monster line. Another hard hitting hip hop record vibe going on here. Hibernation and Kovax are along for this one – I’ve heard of them but haven’t heard them – for a first impression it fairs better than the last duo I was unfamiliar with. The third verse from one of the aforementioned stood out to me & finished this dope track off well.

DETROIT! “The Evil That Pens Do” suspense-fully drives in crashing bars into your eardrums. A classic sounding underground anthem with a Russian roulette of emcee’s releasing evil pen speech. Aztek, Fatt Father, Foul Mouth, Cancer, Marv Won – it’s a Detroit super squad. This one is gold & yet another standout proving there is a little order out of chaos. A lyrical dagger fight sort of order.*

Aztek is back again, AT, and another legend Kool G Rap. Damo The Great kicks things off in the track closer…a livelier joint “Hustlers and Pimps” has the smoothest chorus on the album & throughout this track there is a somewhat different sound from previous. Kool G Rap flexes a perfected verse & on a lighter note comes some order in the chaos with this departure.

Order Out Of Chaos” in closing is a well-oiled record with only a couple misses for me. I’ve put a * next my favorite/standout tracks as I listened through after that particular tracks description. If you notice theres a decent amount of those. I’ve been listening to the album across different avenues – headphones, Macbook speakers, & car speakers – it’s apparent the attention in detail to quality mixing/mastering & it really captured the essence of a cohesive & well put together underground record. The majority of the features fit nicely & those individuals often shine when their time comes. Damo The Great brandishes a polished sound & a knack for self production that often perfectly matches the sound I feel he is going for. – COMMi$$ION

RATING ~ 8/10

PHYSICAL RELEASE/PICK UP YOUR COPY OF “ORDER OUT OF CHAOS” HERE: www.shadowcreekentertainment.com

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BEAT 16

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1.  What inspired you to create this new platform?
I wanted to connect Artists creatively. It’s a huge generational and cultural gap that exists in our scene today and I wanted to get us to work together. We’re locked down why not? My Father did the same for musicians back in his day by connecting their scene. It’s in the blood.
2. What is your background when it comes to music?
I use to produce music. Also ran a Battle Rap league called Scheme Street with my partners.
3. What type of response have you gotten so far from the public? 
All love. This is a breath of fresh air. Not only are we inspiring artists we’re getting genuine excitement from our fanbase. Countless artists have reached out to step on The Beat6Teen stage. We’re humbled.
4. How are the artist and producers feeling about the platform?
Mostly every artist has told me the Platform has inspired them to CREATE. They say they haven’t been writing or making beats and Beat6Teens woke up that creative spirit. And that’s what we love…RAW, ORGANIC CREATIVITY!
5. To date what have been some of your biggest challenges?
The Pandemic has forced us to call audibles. Studios are closed, Social distancing guidelines won’t let us record visuals in certain areas. We’re eventually going to transition to venues for live shows but no one knows when that will happen or what that looks like with the changes from Covid-19.
6. What has been your most exciting moment so far as to what you have created? 
Watching the reaction from artists and fans alike genuinely enjoying and anticipating the broadcasts.
7. Where do you hope to see Beat16 go thru the end of 2020?
 We want to be a platform for artists to connect and showcase their talents. Hoping to grow and connect artists from all over.
8. How does a artist or producer get involved with the platform?
Email submissions to beat6teen@gmail.com QUALITY SUBMISSIONS will be favored. No politics. Send some dope shit and we’ll book you.
9. We have noticed you have added some twist to things, can you share any surprises you got up your sleeve?
Beat6Teen Duos has been announced for July. 2 random MC’s will be paired with a producer. Should be interesting.
10. If you were on a elevator with powerful investors and you got 20 floors to go, how would you explain what going on with Beat16 in the short time you have there attention?
I’d tell them to tune in and enjoy Raw, Creative energy. It explains itself.
11 Any last thoughts? 
Stay Inspired. Protect The Music!

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“My Money” New Visual from Stretch Money

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Rebel Nation flag ship artist Stretch Money has been real busy in the first half of 2020. Not letting up Stretch drop a new video for MY MONEY!

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ALBUM

“King Father” New album from Fatt Father

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Fueled By Life/ Middle Finger Music  presents ‘King Father’, the highly anticipated
fourth studio album by Detroit veteran emcee, Fatt Father. ‘King
Father’ takes listeners on a personal journey through life. Fatt
Father searched as far as Windhoek, Namibia to make sure that the
production on this album was undeniable. There, he found the
soulful sounds of Namibian based producer, Becoming Phill. Marv
Won, Blizzard, Trox, Foul Mouth, Jeremy Ford, and Scud One, also
contributed powerful production to ‘King Father’ as well.
The 12-track album showcases Fatt Father’s growth as a
lyricist, conversationalist and as a father. With features that include
Melanie Rutherford, Finale, Quelle Chris, Fatt Father’s 11 year old
son, DJ Oreeyo, and more. ‘King Father’ is well balanced on every
level. Whether in the car, gym, or living room, this album is the
perfect soundtrack. After many projects and years as an emcee, Fatt
Father continues his dominant reign as King Father.

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